Born on 17 September 1871: Edgard Maxence, French painter who died in 1954
He was a student of Jules-Elie Delaunay and Gustave Moreau at the Ecole des Beaux-Arts, Paris, and helped to popularize Symbolism in the 1890s by applying a highly finished academic technique to Symbolist subjects.
His best-known paintings, which include Girl with a Peacock (before 1896) and The Soul of the Forest (1897), are decorative, vaguely religious or allegorical images of beautiful women in medieval dress, influenced by early Italian Renaissance and late English Pre-Raphaelite art. Maxence often enriched the surface of his works with gold or silver foil and gilt plaster relief and mounted them in elaborate frames of his own design. He also painted fashionable portraits such as Woman with an Orchid (1900), Impressionist landscapes and still life painting.
Though he participated in the avant-garde Salon de la Rose Croix between 1895 and 1897, Maxence exhibited successfully at the conservative Salon des Artistes Français from 1894 to 1939 and frequently served on its committees and juries. Maxence’s work changed little in style and content after the turn of the century and, despite the condemnation of progressive critics, continued to enjoy strong middle-class patronage until the late 1930s.